The definition of noise and experimental noise is a perplexing, discordant sound that fluctuates in pitch and intensity. It is necessary for the listener to have the desire to listen to it as well as the impatience to be the natural adversary. Noise Music No. 2 Noise music is a musical school that can be traced back to the 1913 manifesto of futurist painter Luigi Russolo, who published the “Art of Noise.” It is further classified as electronic acoustic, ambient, and figurative music. The following are some of the more noisy music I like/am interested in.
Experimental noise is broadly divided into the following sections: violent sampling/pastiche, neo-psychedelic/neo-improvisation, avant-garde electro/computer music, noise music, sound art, and contemporary serious music.
Avant-garde electro/computer music refers to non-disco pop dance music represented by Japanese artists such as Ryoji Ikeda and Nobukazu Takemura. The compositions are either a quiet current dance with micro waveforms, or a vivid mixture of electric objects colliding and mutating, again without any melodic tonality, again without any rhythmic elements, but so new that you would think you were on an alien planet! The listener needs to have the will to listen to it, and the impetuousness is the enemy.
Sound Art
“Sound art” is the art of stripping away the melodic, instrumental and vocal elements that are so commonplace and traditional that they seem inevitable for the production of “music”, and making something that is fully convincing and “artistic”, suitable for a sound biennial, not necessarily for the human ear, and extremely original and fresh in its motivation. It can also be subdivided into electronic soundtracks, ambient music, figurative music, etc. They are represented by Japanese artists such as Koji Marutani and Toru Yamanaka. Their work often permeates the fields of visuals, sound, performance, dance, video, installation, technology, etc.
Violent Sampling/Patchwork
Ryoei Otomo / Sachiko Matsubara Otomo’s work is very diverse and has been heavily involved in the creation of film soundtracks and modern dance scores, in addition to radical noise-sampling collages.