
This is another book I found in the library about noise. I found the title of this book very interesting and it got me interested in what ‘SUBLIME NOISE’ is. In this book, ‘SUBLIME NOISE’ is a term used to describe a type of music that is artistic and literary. The book also states that ‘SUBLIME NOISE’ is a new language that enhances the presence and experience of modern sound. After reading through it I found that the book doesn’t actually have a strong relevance to noise music, focusing more on literary noise. Despite this information it still gave me a lot of new knowledge and made me more interested in my concept of ‘ultra-low frequency noise’.
Explanation of the noise
The term ‘noise’ has always been associated with the most powerful and threatening manifestations of language: with the productive but dangerously uncontainable forces of rumour, gossip, propaganda, propaganda and rhetorical violence. The symbolic power of noise is etymologically embedded in Latin elements in English: in French ‘noise’ is bruit, as in Claudius’ proclamation: ‘The king awakens all the bruit of heaven, / And speaks anew the thunder of earth’ (Hamlet 1.2.128-9); and in Italian, as we have already seen, it is rumore. the main goal of this chapter is to outline the rhythmic , dissonance and noise of theoretical and cultural significance for modernist literature and music, and in particular the mediation and aesthetics of rhythm and dissonance on the noise of everyday life. As one of the main challenges of modernist writing was to approach the musical character of these limiting noises in language, the linguistic and literary-historical significance of noise itself deserves comment.
Ideas
The book was a little different from what I wanted to produce, but still gave me some insight. These can actually be added to the production to make my details appear better. To me, noise is something to be explored and celebrated for its own sake. It is a sound that can be used to create art, to communicate, and to express oneself. As I continue to learn more about noise, I am discovering new ways to appreciate it and to use it in my project.
- In order to fully engage the modern listener, music must incorporate new sonic elements in its structure. Only in this way can music truly connect with the listener on an emotional level.
“We must break out of this limited circle of sounds and conquer the infinite variety of noise-sounds.”
Russolo’s 1913 manifesto Arte Dei Rumore [“Art of Noises”] asserts
2. Dissonance and rhythm
3. I thought the text in this image was interesting so I saved it. Maybe this can be used in my project to determine the percentage of noise in the music.
