Daisuke Ishida (1980, Tokyo) is an artist, based in Berlin since 2004, working with sound and contemporary media, studied Political Science and Economics, and Sound Studies in Japan and Germany respectively. He is interested in the consequence of artistic praxis and theory in sound, space, and perception. His works explore the boundaries of ephemeral and time-based media to open up new perspectives on spatialities, while his understanding of space extends from the physical to the social and political realm. He strives to induce a multitude of complex individual experiences of space, that cause the spectator to reassess his/her/their understanding, position, and relation to their physical and conceptual environment.
Most of his work is installation art. I am very interested in this work which was produced in 2017. Its name is The Sine Wave Orchestra Stay.
It was a collaboration of many artists.
”The single sine waves, which the participants each play freely without a score or conductor, rise and intricately interfere with each other like thin strings, and ultimately create an ocean of sine waves.”
It is a collective performance, creating work that continues to change while revealing different sonic qualities depending on the listening point, and the number and the position of the device are installed.
As far as this project is concerned, they are completely free to develop. Even the artist does not know what the music performed is like. Art is abstract and free, that is the reason why I am always interested in installation art.