BA Sound art

Thinking co-artist：HONG-KAI WANG

Hong-Kai Wang is an interdisciplinary artist based in Taipei, Taiwan. Her research-based practice is informed by the unceasing tension between languages, ideologies, identities, and knowledge regimes. She was one of the represented artists at the Taiwan Pavilion at the 54th Venice Biennale.

WANG, H.O.N.G.-K.A.I. (2014) BIOGRAPHY, Hong-Kai Wang. Available at: https://www.w-h-k.net/info.html (Accessed: 2023).

The Flesh & the Phantom

The Flesh & the Phantom- a production of a show for the development of Reservoir Lyren, a half-empty reservoir 12 metres deep near Zurich. Switzerland’s largest reservoir was built 20 years ago to prepare for a possible future water disaster. Other participating artists include internationally renowned David Toop, Tomoko Sauvage, Jen Reimer & Max Stein. In addition to Reservoir Lyren, And includes Alter Botanischer Garten (Botanical Garden), Warmebad Kaferberg Swimming Pool and Lake shore near Cassiopeiasteg/Rote Fabrik.

The Flesh & the Phantom joined five local artists in the reservoir (Sophia Garner, Carolina Grifoll Argemi, Michael Hoi Ming Du, In cooperation with Gereon Sievi and Jie Wang, a script written by myself was rehearsed and discussed through the workshop, and combined with the sounds collected from the field recording archive and Wang Hongkai in the pre-determined and flooded areas of Meinong Reservoir in Kaohsiung, combining spoken language, behavior, singing and field recording, to form a performance of about 20 minutes.

Zurich began building its Reservoir Lyren 20 years ago. Since the 1990s, however, Hakka villagers in Meinong, in southern Taiwan, have waged a decades-long campaign against the reservoir. In both places, proposals to build reservoirs have had a huge impact on the natural and cultural landscape. Between the two very different options of building a reservoir and anti-reservoir, this project attempts to create a dialogue space, trying to expand the connection between these two living Spaces on a geographical level, while also trying to make the infrasound of past labor or passing sound audible in the empty Luren reservoir. Wang Hongkai will work with workshop participants to study acoustic materials collected from the archives and Meinong, and have a dialogue with specific fields of Luren Reservoir. These materials come from nature — seismic waves, hydrology, even the vibrations of tropical forests — but also from the cultural heritage of the inhabitants, the collective spirit, and the history of dissent. These seemingly noisy combinations will be translated and brought to life through participatory and interpretive performances. The project is also an opportunity to reflect on how water, an essential element of life, has been deformed and constructed in our imagination of sustainability, modernity, and anxiety about the future.

For me:

The combination of sound and nature has profound meaning. Especially in the current global climate change crisis, the audience is invited to think about the problem of human to nature from the perspective of sound art. Her works gave me new ideas about the combination of sound and nature, and also gave me the idea of cooperating with her on natural sound art.

First of all, natural sound refers to the sounds that come from nature, such as birdsong, wind blowing branches, rain, river turbulence and so on. These natural sounds have their unique characteristics, they can bring people a unique natural emotional experience. The characteristics of natural sound can be divided into basic characteristics and additional characteristics. Basic features include frequency, pitch, and force, while additional features include time and volume variations, as well as different types of noise that may be present. Basic features help us distinguish between different types of natural sounds, while additional features help us understand them more deeply.

In addition, nature sounds can be used to help us understand how the natural world is changing and how humans are affecting it. By learning more about the sounds of nature, we can better understand the complexity of nature, so that we can better protect the natural environment and better understand our own connection to nature. Natural sounds are important in helping us better understand ourselves and the world we live in. By studying natural sounds, we can further explore the relationship between humans and nature, as well as the nature of sound.

Bringing voice to today’s global climate change crisis, human beings are paying more attention to how to protect and preserve the natural environment and how to use natural resources effectively. Studying the nature of natural sound, and how to use it artistically, can help us think about these issues in terms of sound.

Studying the sounds of nature can also arouse people’s attention and respect for nature, so as to promote our correct understanding of nature and take effective measures in environmental protection. In addition, by making people more familiar with the nature of natural sound, it can stimulate the public’s enthusiasm for art and promote the development of society. Through the perspective of sound art, it reminds us to respect nature and cherish resources in order to protect our environment.

Cooperation

Through collaborative thinking, we can delve into the nature and characteristics of sound from multiple perspectives, helping us better understand the complexity of sound. It is even more important to think collaboratively about natural sounds in today’s climate change climate. It is possible to think collaboratively about different artistic representations of sound and explore the nuances of sound to gain a better understanding of how natural sounds affect our daily lives. At the same time, we can delve deeper into the relationship between natural sounds and today’s global climate change to better protect our environment.

In the cooperative thinking of natural sound, various methods can be adopted, such as collecting natural sound recording data, analyzing the characteristics of natural sound, exploring the nature of sound, comparing natural sound in sound art works, and proposing natural sound protection policies, etc. Only through multi-angle and multidisciplinary cooperative thinking, can we better grasp the essence of natural sound art.

Finally, I am interested in the combination of sound and nature. The combination of sound and nature can better express the relationship between human and nature and interpret the interdependence between human and nature. In addition, the natural sound itself can express more emotion, thus enhancing the emotional experience of the audience. Finally, the combination of natural sounds allows us to delve deeper into the nature of sound and lead to more meaningful thinking. Think about our environment from the perspective of sound art and strengthen our awareness of environmental protection.

Thinking co-artist：Yao Dajun

An artist, a record label producer, and a radio host. The Institute of Art History is a department of the University of California, Berkeley. He was a professor at the Institute of Science, Technology and Arts. The deputy dean of the School of Transmedia Art of China Academy of Art is also the director of the Department of Open Media. His works are performed all over the world. He has promoted the development of Chinese new media art and sound art through radio programs, record labels, websites, and teaching. The first Transmedia Art Festival, the “Sound”, and the Revolution: Chinese Sound Art Exhibition are some of the art exhibitions he has organized.

For Me：

Noise artist Yao Dajun is a highly regarded artist, whose ideas, style and works have been revered by later generations of art researchers. His creative ideas and works have had a significant impact on contemporary art and, more importantly, his work and ideas have had a profound influence on me. Yao Dajun’s noise art is a vibrant art form that not only helps to enhance the artistic aesthetics of the audience, but also helps them to better understand new art forms. His work not only explores the possibilities of noise art, but also inspires artists to create new forms of music, offering us a new way of thinking about art.

Yao Dajun is an outstanding noise artist and his work has inspired my love of noise art. In his works, he combines music, sound, language and other sounds to create unique sound spaces. Not only did his work leave me in awe, but it also inspired me to create. I was first introduced to Yao Daqun’s work at an exhibition called ‘Noise Art’ and was impressed by his work. Not only did I admire his work, but it inspired me to try my hand at creating my own noise art. His work also made me realise that noise art can be used to express emotions and give a better understanding of the sounds in different environments. Yao Dajun’s work has not only inspired me to create, but it has also changed my perspective on music. His work reminded me that music can be more than just an aesthetic experience, it can also be a process of reflection, a new form of expression. Not only did his work leave me in awe, but it inspired me to explore more possibilities in the art of noise.

Yao Dajun is a great noise artist and his work reflects his strong belief in art, expressing his creative ideas in a delicate, exquisite and imaginative way. Yao Dajun also had a great influence on me. He showed me a different kind of noise art and gave me a deeper understanding of the importance of art creation, and he taught me to stick to my ideas and be brave in expressing my thoughts in art creation.

Expected Festival/Studio use

Noise Music：

My plans for the future of noise music are mainly focused on festivals, as it is after all a niche genre and therefore I need a bigger platform to showcase and connect with the artists I want to work with. The first thing that came to mind was a festival about noise music culture. At this festival, there are all kinds of music genres, from traditional rhythms to modern tunes, and there will be a lot of people attending which is a bigger platform.

Optional festivals:

-IEMC International Electronic Music Competition

-Beijing International Electronic Music Festival

-China Electronic Music Festival

-Rock Music Festival

All of these festivals have significant audiences and are judged at a very high level. The noise artist I want to work with is a judge at the Beijing International Electronic Music Festival, so I will focus on investigating what this festival has to offer.

Composing：

Regarding film and TV scoring I would aim to work in a studio or study at a college in the future. These are the studios I’m interested in, and I’m also interested in the Composing for Film and Television program at the National Film and Television School in the UK.

The first film scoring studio was Skywalker Sound in Los Angeles, which was founded in 1975 by legendary film producer George Lucas and screenwriter William Bradley. It has provided scores for such famous films as Star Wars and Jurassic Park and has been nominated for several Academy Awards for Best Original Score. Skywalker Sound has a team of professional musicians and sound designers who can provide complete music production solutions from original sound to synthesised sound.

A second notable film score studio is New York’s Silver Sound, founded in 2002 by Will Stockton, Eric Stockton and Caitlin Hopkins. Silver Sound has a team of professional composers, musicians and sound designers who can provide high quality scores for films, TV shows and commercial projects. Silver Sound has provided the soundtracks for such prestigious films as American Horror Story, Shameless and Las Vegas, and has received numerous Emmy and Oscar nominations.

The third is Abbey Road Studios in New York, USA, which was founded in 1970 by the famous British Beatles. Abbey Road Studios has a team of renowned composers, arrangers and musicians.

Last but not least is RCP Soundtrack, a professional music production service that provides beautiful soundtracks for video production and game development. They have a team of experienced musicians who focus on providing the highest quality music services to their clients. They have a professional music production studio with state of the art recording equipment to cater for different client needs. I personally prefer this studio too

Artists as Workers (Week 21)

Thomas, C. W., 2021. Artists as Workers

[Q]: What is the problem with art as a worker?
[A]: Artistic labour seems to be easily forgotten.

[Q]: What is the aim of the report?
[A]: This report attempts to reposition the contemporary UK artist as a worker, by placing their working conditions front and centre.

[Q]: What is the name of the report that aims to reposition the contemporary artist as a worker?
[A]: Dismantlingromanticised images of the ‘lifestyle’ artist.

[Q]: What does the study look for?
[A]: The study looks for emerging trends in how the world of work for artists has changed.

[Q]: What does the report examine?
[A]: It also examines how future policy changes might reshape and reposition the sector.

Precarity, exploitation and inequality in the art world were not produced by Covid. The labour conditions of artistic workers in the UK have long been characterized by pervasive trends. All too often, these have been under explored by those within and outside the industry. It seems that artistic labour is forgotten.

The impact of working conditions on artists . Many people feel pressured to betray their values in order to survive. A group of artists are based in London. The group is on a tour in support of Covid. Artists rights unions exist, but are less common than expected. Young people with no dependents who can afford to be precarious can do zero hourscontracts and undercut their colleagues. Artists are almost our own worst enemy. But at the same time, they are incredibly accepting of shit conditions. The sector was exploitative before the Pandemic, with artists often working without pay. There are opportunities for the sector to be redefined with inclusivity in mind. Artquest has a report on artists as workers. The goal is to address the problems facing artists as workers. The report is intended to start the process.

What does ‘artistic labour’ mean to you?

Few people make a lot of money from their artistic practice. Artists are often asked to work for free, in keeping with the way an artist’s livelihood is often undervalued, seen by outsiders as a “hobby” or leisure activity not worth paying for.This unpaid pattern is an essential part of art.

The most fundamental driving force and cause of art is human practice, which is the most influential revelation of the fundamental cause of art. The view that art originated from labor prevailed in the literary and art theory circles of the Soviet Union and China. Art is born from the labor of the creator, but people value the end result more than the process of creation. The core subject of artistic labour is people. It is believed that all human activities originate from labor.

How you will ‘announce’ your portfolio work to fellow students and a wider public?

Make announcements on the network organized by art universities, put up art posters or buy some advertising space in the school (physical or offline)

Publicly funded art institutions include museums such as Tate and Arts Council England. Private galleries include White Cube and Hauser and Wirth. Auction houses include Sotheby’s and Christie’s.

Creative Visual Arts Network (CVAN) represents a diverse visual arts community of artists, creative practitioners, and arts organisation, institutions and galleries across nine regions in England. Migrants in Culture (MiC) is a network of migrants organising to create the conditions of safety, agency and solidarity in the culture sector.

Artquest is a website providing advice, information and opportunities for visual artists. Artquest is funded by Arts Council England’s London regional office as part of their national portfolio.

Bectu – Broadcasting, Entertainment,Communications and Theatre Union. National Society for Education in Art and Design (NSEAD)

A Partial History of the Artist Placement Group（Week 20）

N0tes：

A Partial History of the Artist Placement Group

This reader was published for a partial retrospective of the Artist Placement Group at Summer hall, Edinburgh in 2016. As a stand-alone document, it provides a succinct introduction to this groundbreaking practice.

Art & Economics Group (APG) was founded in 1971 in Berlin and London. The group has been criticized for its ‘naivety’ and ‘reformist’ approach. The 2015 exhibition at Summer hall in Edinburgh is a selection of APG projects. The exhibition presents documents and results.

The Artist Placement Group (APG) initiated and organized ‘placements’ for artists in industry or.public institutions. The group was formed in the mid-1960s, around the couple Barbara Steven and John Latham. The statement, Context is half the work, testifies to this spatial and ideological shift; out of the studios and into the institutions of society. The early APG placements were almost exclusively with partners from industry. From the mid-1970s onwards, the APG initiated closer collaborations with public institutions. The artists were intended to function as independent observers within the organization.

Garth Evans

Garth Evans spent two years on a placement at the British Steel Corporation (BSC) The BSC was created by the nationalization of the steel industry in 1967. During his placement, Evans familiarized himself with the production methods and material qualities of steel. He argued in the papers that the employees were not offered a meaningful, enriching work experience and that the workers were not supported in their work. Evans identified a field of activity for artists in an industrial context. Evans received very positive feedback on his work, but the representatives of the company were not fond of his ideas about corporate culture.

David Hall

David Hall’s TV Interruptions (7 TVPieces): The Installation, which was developed by Hall in 2006, were created after a shift in his practice. In 1971, Hall was invited to participate in the exhibition Locations Edin-burgh. Together with Alistair Mackintosh, he approached Scottish Television to include a number of video pieces in their programmed .

George Levantis

George Levantis’ placement on container ships operated by Ocean Fleets Ltd, was mediated by the Seafarers Education Service (SES) The SES had al-ready placed a number of artists on the ships, who offered drawing and painting lessons to the crew. Levantis refused to give art classes, leading to tensions between the crew and the artist. Pieces of Sea Fall Through the Stars, by George Levantis, is on display at the National Gallery of Art, London.

Roger Coward with Gavin Brown, Roland Lewis, Evadne Stevens, Frances Viner

A team of urbanists and sociologists worked on an Inner Area Study (IAS) with the aim of developing urban renewal for the dilapidated and neglected city district.

Thinking co-artist：Mélia Roger

She is currently based between Paris and Zurich, where she is pursuing her career in post-production film and creating her own artistic works. Her work has been featured in several international galleries, and she has been praised for her unique and innovative approach to art and film. She is passionate about her craft and is dedicated to providing the highest quality of work. Her passion and dedication have resulted in her becoming an established artist and filmmaker in the industry.

About (2021) Mélia Roger. Available at: https://meliaroger.com/about/ (Accessed: April 17, 2023).

Ghost me

Cette installation sonore participative est un projet artistique visant à rassembler les solitudes, à travers une exploration des besoins de donner de l’amour et de l’incompréhension face au silence de l’autre. Par l’utilisation de la musique, du bruit et des sons, l’expérience est conçue pour offrir aux participants un espace pour s’exprimer et pour créer des liens avec leurs voisins. L’installation permet aux personnes de partager leurs sentiments, leurs préoccupations et leurs aspirations, en créant une atmosphère de solidarité et de compréhension.

For me：

Sound art can bring us a different kind of feeling. It can connect space and sound, thus shaping a unique experience. Through sound installation art, I can use sound to make connections between different spaces and also to explore new possibilities. This essay will explore how sound installation art allows us to feel the relationship between space and also explore the new possibilities that sound installation art can inspire.

Sound can profoundly affect the way people perceive space. When people hear a sound, their brains create an imagery of space, which allows them to better understand and remember the sound. I can use this sound installation art to create spatial sensations, as well as to create a specific feeling in a specific space. When people use sound installation art to access spatial sensations, they can use different sounds, and the relationships between them, to create different spatial sensations. For example, one person can use soft piano tones to create a warm, peaceful feeling; another person can use loud sounds to create a busy, noisy feeling. This approach can help one to understand the concept of space more deeply. Sound installation art can also be used to establish a relationship, and a feeling of space. I can use sound installation art to express their perception of space and how they see the connection between two different locations. For example, an artist can use rhythm, harmony, and other sound elements to create a sense of space, thus making the relationship between two locations clearer.

Sound is an art form that can create a sense of space and can give us a sense of the relationship between space and sound. Sound installation art uses sound as a medium to create an interesting and vibrant atmosphere in a space. It can transport us to a new space and allow us to experience different sensations. Sound installation art can use different musical elements, such as melodies, chords and rhythms, to express a certain feeling. It can use a variety of different sound devices such as speakers, reverbs etc. to create a specific atmosphere. Sound installation art can also use different techniques of sound expression, such as layering, harmony and variable speed, to express a specific mood. Using sound to connect spaces can create a new spatial relationship and can allow people to feel different emotions in the space of sound installation art. The space of sound installation art can help to stimulate creative thinking, thus helping people to be more inspired in their creative work. At the same time, sound installation art can also help people to build more emotional relationships and increase mutual understanding.

Sound installation art can also be used to build new relationships, these can be interactions with the audience or connections with the space. It can help people to better understand the relationship between sound and space, thus offering more possibilities to create new forms of art. However, exploring sound installation art also requires an in-depth understanding of its technical elements, including equipment, technology and programming. In addition, exploring sound installation art also requires a deeper understanding of its social and cultural contexts so that they can be utilised in practical applications.

Sound installation art can use a variety of sounds to create a complex spatial atmosphere. In sound installation art, each sound has a different function and they can work together to create an integrated sound space. Secondly, sound installation art can change and influence the relationship between space and sound by creating sound spaces. Sound installation art can use sound as a technical tool, using it to create an artistic atmosphere that makes the space more dynamic and spiritual. Finally, sound installation art can establish relationships and spaces. Through sound installation art, we can use sound to create a unique spatial relationship, making the space more expressive and meaningful. In conclusion, sound installation art is a unique art form that can be used in a variety of ways to feel the relationship between space and sound, and to use sound to build relationships

Personal assessment draft （Week 19）

This week’s lesson has made me realize that assessing our progress is crucial. The importance of evaluation has been made abundantly clear to me through this week’s class. Evaluation is an essential part of any process, as it allows us to assess our progress and determine what changes need to be made to ensure success. Without it, we are unable to accurately measure our achievements and identify areas for improvement. Evaluation is also a great tool for learning, as it helps us to gain valuable insights into our strengths and weaknesses. In short, evaluation is an invaluable tool for any organization and should not be overlooked. Through this process, you can effectively plan your thoughts to determine what is valuable, what is feasible, and what is not. In this way, I can effectively turn ideas into a future that can be realized, thus fulfilling requirements and achieving more success. Evaluating the complete process allows me to understand the work more clearly, so as to better express what I want to express.

Personal Ideas: Evaluation

My award-winning experience: I can better demonstrate my ability and achievements
-My experience (work &unpaid) : 1. Unpaid teaching 2.Soundtrack for short films & Anime &VR

My certificate: Professional certification in piano
My skills: Proficient in software and language

I should consider the connection between various aspects (festivals, artists, galleries) and my work. To this end, I need to consider their future trends in order to more fully display my work and make it easier to collaborate. Self-evaluation is very practical, which can help us better understand the relationship between the work and its background. Archiving is an important link, which can not only help us better grasp the connotation of the work, but also contribute to the long-term development of the project. As a result, evaluation, documentation, and documentation from project to practice are important factors in the success of a project, not only helping to better market the project, but also providing the necessary support for the long-term development of the project.

Supporting and sustaining creative work （Week 18）

First, an appraisal need have a clear career goals. Having a plan in place will help me to better understand my goals and make a plan to reach them. When writing my appraisal, I need to create an implementation plan that takes into account the realities of my situation and ensures that my career plan can be implemented effectively. It is important to have an in-depth knowledge of my future career, as well as an effective plan and steps to develop it. In this process, personal goals, skills, resources and practicalities should be taken into account in order to develop an effective career plan. In order to implement a career plan, it is important to firstly find out what your career goals are and the steps you need to take to achieve them. Secondly, you need to develop a plan to implement your career plan in the context of your own situation.

Ideas:

Idea 1: Social media is an effective tool to help people showcase their personal brand and achieve their future career plans. It can help people connect with others, learn about the latest trends and discover opportunities for personal career development. Look for websites that can be used by music creators to showcase their work.

Idea 2: Finding offline events is also an important part of showcasing your future career plans. By attending music festivals, recruitment, etc., you can build up good contacts and gain useful information to enhance your competitiveness.

Idea 3: You can learn by attending courses, training sessions, etc., and by working in a personnel-related profession, not only will you gain the knowledge and skills you need but you will also be able to communicate with professionals and get more help.

Thinking co-artist：Torturing Nurse

Torturing Nurse is a Chinese noise band, led by Shanghai-based artist and musician Huang Junbo, formed in 1999. Their music contains various elements of noise, horror, noise and experimentation, with the main theme of protesting against the social and political status quo. They create unique noise art that inspires fierce rebellion against an unjust society. Their approach to music is different from traditional music and has been described as ‘dark music’, providing listeners with a shocking experience. Their music is more than just music, it is an act of protest against society.

For me：

I had a profound experience with Torturing Nurse’s art shock. His work not only stimulates my imagination but also inspires me to think intellectually. His work is highly expressive and allows me to understand art itself in a deeper way. torturing Nurse’s art shock has also made me re-examine the power of art. His work is energetic and stunning, making me more aware of how powerful art can be. It is this power that allows me to appreciate the depth of art and not just a superficial enjoyment. torturing Nurse’s music has had a huge impact on my mind and his work has inspired me in so many ways. His music is full of passion and power, which makes me feel his true feelings and at the same time stimulates my imagination. There are many profound themes in his music such as freedom, multiculturalism and understanding that resonate with me and make me feel enlightened. torturing Nurse’s music has influenced me greatly, it has given me a greater understanding of the world and a deeper appreciation of it. His work has not only piqued my interest, but has also given me a deeper understanding of different cultures and the fact that there are many different human experiences in the world, an understanding that has made me more tolerant.

By analysing Torturing Nurse’s work, it is clear that there is a unique appeal to this type of noise art. They fuse traditional noise art, electronic music and other musical elements to form a unique art form. At the same time, they advocate a unique musical philosophy that gives their work a strong emotional impact. From a personal point of view, I was also very deeply influenced by Torturing Nurse. Their work and ideas have given me a deeper understanding of the art of noise and a deeper appreciation of them. I have also begun to explore new musical elements and incorporate them into my own compositions. All in all, Torturing Nurse has provided me with a new artistic perspective, a deeper understanding of the art of noise, and a better practice of my own music making. Their work and ideas have not only enriched my musical knowledge, but have also inspired me and stimulated my desire to create, Torturing Nurse’s art can be described as an emerging concept, using sophisticated techniques to turn their music into a ‘noise art’. Their work has inspired me and given me the opportunity to discover new creative ideas and expressions. Their music has taken me into new territory, allowing me to explore new forms of rhythmic and noise-art expression. Their work has allowed me to better understand different forms of musical expression, as well as giving me the opportunity to combine different genres of music. Their work has also made me think more deeply about the possibilities of music. Through their work, I have discovered many potential creative spaces that can be used to create my own music, rather than simply imitating the work of others.

Draft （Week 17）

Sound art is a unique art form that not only expresses emotion, but also creates a unique sensory experience. In recent years, with the development of digital technology, sound art has received increasing attention and is developing rapidly. In this article I will envisage some of the future developments in noise music, sound installations and the creation of ambient sounds, as well as the future of sound art.

Noise music artists are exploring new possibilities in sound art. They are fusing sound, ambient and electronic music together to create unique sound structures by using very different techniques. They are also using technology and creative thinking to explore the potential of sound. And are experimenting with blending different musical elements together to create new musical forms with visual and emotional characteristics. I will be looking for them to use modern equipment and technology to explore the uniqueness of sound and create imaginative musical compositions. Constantly trying to explore new possibilities and challenge traditional musical forms to create sounds and music like never before.

Secondly sound installation artists have long been known for their innovative work, using technology to capture sounds that would otherwise be impossible to hear and applying them to works of art to stunning effect. Sound installation artists have also been important agents in the further development of sound art, working to develop new techniques, create new sound effects and fuse sound with other art forms. In recent years, as technology has developed, sound installation artists have also developed more innovative ways of doing things. They can use electronic devices, mixers and program control to transform sound into different forms and use modern technology to alter the rhythm and timbre of sound. They can also blend different sounds together to create unprecedented sound effects. The development of sound installation artists also allows their work to be appreciated by a wider audience. Through radio broadcasts, cinema screenings and live performances, the work of sound installation artists can be disseminated and appreciated by a wider audience. The work of sound installation artists is not only limited to the art world, but can also be used in everyday life.

Finally artists who create ambient sound are developing rapidly. These artists never stop thinking about how to use sound to create a sense of space and how to integrate sound closely with the environment. They are creating new ambient sounds, as well as incorporating sound into existing environments. Artists who create ambient sounds are learning and progressing from traditional ambient sounds. They are using modern techniques such as acoustics, electronics and digital technology to create new ambient sounds. They are also using existing ambient sounds to create more sonic spaces, and more combinations of sounds. Artists who create ambient sounds are also using modern technology to combine sound and vision. They are exploring how sound can be used to enhance the visual experience, and how visuals can be used to enhance sound. They are combining sound and vision to create more creative ambient music.

The future of sound art looks very bright. As technology advances, more and more sound artists are combining sound and technology to create a whole new form of art. Also, I am trying to explore how to use sound to convey emotion, which will open up opportunities for me to collaborate with more artists to create. I will also have more creative freedom to use new equipment and technology to create their work. This will allow them to create more complex and detailed sound structures. In addition, I will also have access to more sound artists to collaborate with, who can differentiate their creative skills. Also the development of sound art will be influenced by other art forms. For example, visual artists can combine visual elements with sound art to create stunning works.